I’m reading the January/February issue of Poets & Writers. The cover story is an extensive interview with agents Julie Barer, Jeff Kleinman, Daniel Lazar, and Renee Zuckerbrot (who is wearing a really cute skirt in her picture, by the way). Great stuff that everyone currently looking for an agent or thinking they’re ready for an agent should read.
Then there’s an article introduced this way: “As the new year begins—after a groundbreaking presidential race and against the stark backdrop of an economic crisis—we thought now would be an especially good time to reflect on what drives us to write. We asked a handful of innovative authors about what inspires them most, hoping their insights could serve to strengthen our resolve and focus our energies going forward.” Looking forward to reading that.
Sometimes YA authors (me included) complain about not feeling like full citizens in the bigger conversation about the literary life and industry. It’s great if you’re getting the ALAN Review and the SCBWI Bulletin and Horn Book, but, you know, if the mountain won’t come to you, go to the mountain. Get yourself (or your writer friend) a subscription to Poets & Writers, or to a literary journal like Tin House, IMAGE, Zoetrope: All-Story, a university press quarterly review, something. If you feel ghettoized as a YA author, de-ghetto yourself and jump in the fray.
By the way, why didn’t Michael Cart’s excellent YA lit journal Rush Hour ultimately succeed? Did enough of us think it was important? Did enough of us even know about it? Was it because the journals were published as if they were paperback books, with a book-marketing paradigm, rather than as journals? (As I recall they did not contain any advertising.) Will somebody try something like Rush Hour again? I’d love to see it happen, but meanwhile, maybe we, YA authors, should be submitting our YA material—short fiction, creative nonfiction, critical essays, personal narratives—to the mainstream journals. YA lit has a lot more in common with adult lit than with children’s lit anyway, if you ask me. Maybe we stay in the ghetto because we don’t try hard enough to get out. I don’t know. (On the other hand, I know that many reasonably successful YA authors sell a lot more books than reasonably successful adult literary authors, so maybe they should be coming to us.) Curious to hear what you think.
Now I’m going to go read that “why we write” article and get back to my revision…

While reading the acknowledgments for the book I discovered that Jeff and Zoë and I are all represented by the same literary agency, so of course I immediately exploited the connection to get them over here for a Q&A as part of my 




